Opera For Everyone

Ep. 128 Médée (Medea) by Charpentier

What can one woman do, when set against the entire world? Quite a lot, if she happens to be the sorceress Medea.  This French Baroque opera written by Marc Antoine Charpentier takes on the ancient tale of Medea’s struggle to find a place for herself in the world of mythic Greece’s heroes and kingdoms, which eventually descends into fire, chaos, and death.

Hosted by Pat, with guest host Petria Fossel

Ep. 127 Die Meistersinger von Nürnberg

Can a young man win a wife through a singing competition?  He just might, if he’s in Richard Wagner’s romantic comedy (yes, you read that right, “Richard Wagner’s romantic comedy,”) Die Meistersinger von Nürnberg.  Young Walter may not be trained in the masters’ techniques, but ultimately his passion wins the hearts of the beautiful Eva, the singing masters, and the people of Nuremberg.  Join Pat and guest co-host Gerald Malone for an in-depth discussion of one of Wagner’s most intriguing operas.

Gerald Malone is the Opera Critic of ReactionLife, a UK-based online current affairs and cultural publication.

Ep. 126 Bellini's I Capuleti e i Montecchi

Ill-fated lovers caught up in a world incapable of supporting love not sanctioned by officialdom… it’s a story for the ages.  Join Pat and Kathleen for their third look at the Romeo and Juliet story in operatic form, I Capuleti e I Montecchi, by bel canto master, Vincenzo Bellini.   If you haven’t already, we invite you to listen to Episode 120 on Gounod’s Roméo et Juliette, and Episode 124 on Nicola Vaccai’s Giulietta e Romeo.  

Hosted by Pat and Kathleen

For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

Ep. 125 Puccini's Il Tabarro & Erica Miner's Overture to Murder

“Seems an opera house is the perfect place for mischief and mayhem,” says the hard-boiled Inspector Cristina as she seeks to unravel the mystery at the heart of Overture to Murder, the meticulously researched third book of Erica Miner’s “Julia Kogan Opera Mystery Series.”

Mayhem and mischief are no strangers to the opera house, both on and off-stage.  Join us for a discussion of both Erica’s new book and Giacomo Puccini’s Il Tabarro, a powerful, gritty verismo opera inspired by the dramatic potential of the darker human impulses.

For more on Erica Miner, visit ericaminer.com

Ep. 124 Giulietta e Romeo by Nicola Vaccai

A great story is one that we are never done with, and there are few stories in human history with as many retellings and reimaginings as the epic tale of Romeo and Juliet.  Nicola Vaccai wrote this 1825 opera based not on the Elizabethan play, but on the source materials from which Shakespeare drew.  Here, the Montagues and Capulets are not merely feuding families, but armies waging war as a part of the titanic power struggles between the Holy Roman Empire and the Papacy that wracked medieval and renaissance Italy.  However, the heart of the story remains the doomed romance between young lovers caught in a maelstrom beyond their control.  

This is the second in a (non-contiguous) series in which Pat and Kathleen closely consider the Romeo and Juliet story in opera.  For an episode that presents an operatic take on Shakespeare’s play about these famous lovers, please listen to Opera for Everyone, Episode 120.

Hosted by Pat and Kathleen

For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

Ep. 123 Mozart's Idomeneo

Trying desperately to return home alive from the Trojan War, King Idomeneo makes a terrible promise to the sea god from the deck of his storm-ravaged ship.  The consequence of his promise is worse than he could imagine, and only after many twists does he achingly find his way to peace.  The emotional depth of the characters of Idomeneo gives Mozart ample opportunity to demonstrate his compositional powers in this, his first fully mature and unquestionably successful opera.

Hosted by Pat, with guest co-host Gerald Malone

Gerald Malone is the Opera Critic of the UK online current affairs and cultural publication, ReactionLife.

Ep. 122 Zoroastre by Jean-Philippe Rameau

It’s a battle for the fate of the universe as the Dark Side plots, schemes, and fights to gain dominance over the Light Side. 

Though this opera predates Mozart’s The Magic Flute by several decades, you may find echoes here of Mozart’s beloved work, as it is also heavily influenced by the ideals of the Enlightenment and the principles of Freemasonry.  Jean-Philippe Rameau was the pre-eminent French composer of his day, and close with thinkers such as Voltaire.  Rameau’s librettist for Zoroastre, Louis de Cahusac, was the secretary for the Grand Master of the Freemasonry’s Grand Lodge in Paris. 

Join Pat and Grant for a deep dive into this grand, mythical story’s cosmic stakes and spiritual resonances.

Ep. 121 Mozart's Die Zauberflöte

Die Zauberflöte (“The Magic Flute”) is, by any measure, one of the most popular, successful, and well-known operas ever written, delighting adults and children alike.  Yet experiencing Mozart’s The Magic Flute has left countless opera-goers reflecting contentedly on the sumptuous musical feast, but scratching their heads over the plot and characters.  With the help of conductor Ben Manis, Opera for Everyone takes a close look at both Mozart’s musical genius and a narrative journey into a fantastical and dreamlike world.  In this realm of magic and incarnate forces, we try to discover what can be understood, and what must simply be felt and experienced.

Hosted by Pat and Conductor Ben Manis

Ep. 120 Gounod's Roméo et Juliette

Of all the love stories ever told, none quite compare to the enduring power of Romeo and Juliet.

Over four centuries ago, English playwright William Shakespeare crafted a timeless story harnessing both the powers of profound love and deep hatred, and his tale of “star-crossed lovers” has become an inspiration to countless artists.  Two and a half centuries later, French composer Charles Gounod and his librettists took Shakespeare’s play as a starting point, and crafted it into an exquisitely beautiful and heart-rending opera.  Join us for an in-depth discussion of how this story plays out as a French grand opéra.

Hosted by Pat and Kathleen

For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

Ep. 119 Zoraida di Granata by Donizetti

An unscrupulous king pressures a woman to marry him.  She resists, knowing her heart belongs to the man who truly loves her, the chief general in the king’s army. Into this love-triangle, toss in a scheming underling of the king, a sympathetic maid of the woman, a devoted best friend of the general, and you have all the ingredients for a gripping story.  Enhance the whole tale with a magnificent score, and you have a delightful opera, and, in fact, the first fully successful opera by the most prolific composer of the Bel Canto style, Gaetano Donizetti.  Though Donizetti composed 70 operas, only a small number of those are regularly staged these days.  We invite you to meet Zoraida di Granata, and enjoy an early work from a beloved composer.

Hosted by Pat and Janet